We cover awards so you don't have to.

Original airdate: 1 - 14 - 13

Greetings duckies,

Back with our first real 2013 shakedown we're up and....talking about awards show nominations concerning the previous year and news stories of things in years to come, blegh. Golden Globes and Razzies and Oscars were discussed (for some reason). Spoiler: they're as boring and paint-by-numbers as we've come to expect. However, if you're in a betting pool...we've got you in a winning spot.  Beyond that, we reviewed Gangster Squad and Lincoln, both of which were sublimely mediocre.

We heard music from the following:

A Zed & Two Naughts, 1985 - Michael Nyman
Rango, 2011 - Hans Zimmer
L.A. Confidential, 1997 - Jerry Goldsmith

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Worst films of 2012: The Podcast.

Wow, so it's been about 3 weeks since our last show: we had quite a few films to review, mainly The Hobbit, Django Unchained, Zero Dark Thirty, Seeking a Friend for the End of the World, and Silver Linings Playbook. Then....then....we got to our annual worst-of-2012 and the venom really flowed. What you hear/heard was unfiltered, unrehearsed hate-jazz of the most disgusting moments of the past year. We talked for nigh on two hours and some change, all of it gold. Download it now. Just be warned that you may spew milk from your nose while listening...and you don't even have to be drinking any.

We heard a l'il music from:

Crimson Tide, 1995 - Hans Zimmer
The Last Dragon, 1985 - Various

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Invasion fantasies aplenty

Original air-date: 11 - 26 - 12

Having seen the aforementioned Red Dawn remake, I still have no idea how they made the North Korean invasion plausible, and neither did the movie! So, everyone is in a recession and "they" have some kind of electronic super-weapon? Hrm, ok. But then they invade...Spokane...and nobody stops them. But then they explain...something, and lo, the Russians are helping them, at least like six of them. But the movie itself? Ehhhhthbbbt. A useless enough action film with amusingly bad CG replacing PLA paraphernalia with *snicker* North Korean flags and Korean text. We had a good time talking about all the cultural underpinnings, though, so good?

DVD release highlights:
MIB 3, Paranorman, Berserk - Arc 1

In theaters nation wide this weekend:
Killing Them Softly

We heard music from:

1990: The Bronx Warriors, 1982 - Walter Rizzati
Mission to Mars, 2000 - Ennio Morricone
Black Hole, 1979 - John Barry
First Blood, 1982 - Jerry Goldsmith

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Red Dawn this Black Friday.

I really hoped to see the new Red Dawn this weekend to see how exactly the film could depict North Korea invading the U.S. Frankly, envisioning a North Korean invasion of a KFC in Sheboygan, Wisconsin would be a stretch. Apparently the invading nation was changed from the plausible China to North Korea in post-production, probably so MGM and potential investors wouldn't alienate all the labor they've exported to China (and the distribution rights they've just purchased there). But seriously, in what geo-political alternative universe would that make sense? I really want to see this now, just to parse out more hilarious America-WWIII logic.

We heard music from the following:

Buffy the Vampire Slayer, 1992 - Various
Miami Connection, 1987 - Various
Lost Boys, 1987 - Various
Doom, 2005 - Clint Mansell
The Breakfast Club, 1985 - Various

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This podcast is slightly shaken, and a little stirred.

On tonight's show we discussed the damned-if-we-ain't-gonna-build-a-franchise latest installment of the Daniel Craig reBondboot Skyfall. I didn't really care for it. This whole new franchise has somehow consistently created high expectations without actually ever producing a reason for high expectations. This new Bond franchise has prided itself on "realism" and a distancing from the hokum of Connerys and Brosnans past, but has not produced a truly engaging entry and now, as of Skyfall, is fully immersed in building another franchise that will inevitably eat itself through schlock and self-reference. And! As if that weren't enough, Skyfall is itself attempting to be a metaphor on the relevance of Bond the agent and, by extension, Bond the franchise in the Information Age. How convenient that the film's answer is: "Yep! He's still relevant! Old-dog...heh heh, you know the saying!" I'm not sure I agree based on the circular nature of this iconography. Thbbbt.

We heard music from the following:

Patton, 1970 - Jerry Goldsmith
Commando, 1985 - James Horner/Various
Skyfall, 2012 - Thomas Newman
Dr. No, 1961 - Monty Norman

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